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A factory worker, Douglas Quaid, begins to suspect that he is a spy after visiting Rekall - a company that provides its clients with implanted fake memories of a life they would like to have led - goes wrong and he finds himself on the run.
In a violent, futuristic city where the police have the authority to act as judge, jury and executioner, a cop teams with a trainee to take down a gang that deals the reality-altering drug, SLO-MO.
In the year , the very wealthy live on a man-made space station while the rest of the population resides on a ruined Earth.
A man takes on a mission that could bring equality to the polarized worlds. As a war between humankind and monstrous sea creatures wages on, a former pilot and a trainee are paired up to drive a seemingly obsolete special weapon in a desperate effort to save the world from the apocalypse.
An elite military unit comprised of special operatives known as G. Joe, operating out of The Pit, takes on an evil organization led by a notorious arms dealer.
The Turtles get into another battle with their enemy the Shredder, who has acquired new allies: the mutant thugs Bebop and Rocksteady and the alien being Krang.
When a kingpin threatens New York City, a group of mutated turtle warriors must emerge from the shadows to protect their home. In the near future, robot boxing is a top sport.
A struggling ex-boxer feels he's found a champion in a discarded robot. The year is and multinational conglomerate OmniCorp is at the center of robot technology.
Overseas, their drones have been used by the military for years - and it's meant billions for OmniCorp's bottom line. Now OmniCorp wants to bring their controversial technology to the home front, and they see a golden opportunity to do it.
When Alex Murphy Joel Kinnaman - a loving husband, father and good cop doing his best to stem the tide of crime and corruption in Detroit - is critically injured in the line of duty, OmniCorp sees their chance for a part-man, part-robot police officer.
OmniCorp envisions a RoboCop in every city and even more billions for their shareholders, but they never counted on one thing: there is still a man inside the machine pursuing justice.
Written by Sony Pictures Entertainment. I just came across a collection of past and present pop culture characters on a social media site and thought to myself "Wow, there was a Robocob reboot?
In ? How could I have missed this? When I watched the trailer just now on imdb, I vaguely recalled some of the scenes about two thirds in.
And isn't that really all you need to know about this remake? Sign In. Keep track of everything you watch; tell your friends.
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Alternate Versions. Rate This. In Detroit, when Alex Murphy, a loving husband, father and good cop, is critically injured in the line of duty, the multinational conglomerate OmniCorp sees their chance for a part-man, part-robot police officer.
There have also been various television series , video game and comic book tie-ins. It was confirmed in that RoboCop Returns was in the works and will serve as a direct sequel to the film, ignoring the sequels and the remake, as well as the two live action TV spin-offs.
As of June , the script, which will be based on an original story from the writers of the film, Edward Neumeier and Michael Miner, was still being written.
Neill Blomkamp was originally signed on to direct the film; however, he announced in August that he would no longer be involved. After Blomkamp's departure, Abe Forsythe was later selected to direct the film.
RoboCop is a American cyberpunk action film   directed by Paul Verhoeven. Set in a crime-ridden Detroit , Michigan in the near future, RoboCop centers on a police officer who is brutally murdered and subsequently re-created as a super-human cyborg known as " RoboCop ".
In addition to being an action film, RoboCop includes larger themes regarding the media, resurrection , gentrification , corruption , privatization , capitalism , masculinity , and human nature.
It is the sequel to the film, and pits RoboCop against another cyborg created with the intention of replacing him.
The film received mixed reviews from critics. RoboCop 3 is a cyberpunk action film directed and co-written by Fred Dekker , released in , set in the near future in a dystopian metropolitan Detroit, Michigan, and filmed in Atlanta, Georgia.
Most of the buildings seen in the film were slated for demolition to make way for facilities for the Olympics. The film received very negative reviews from critics.
A remake of the original film and a reboot of the franchise was released in early Gary Oldman and Samuel L.
Jackson co-star in supporting roles. According to Kinnaman, the film is a reimagination of the original story, and bits and pieces cater to fans of the original film.
In "RoboCop", the year is and multinational conglomerate OmniCorp is at the center of robot technology. Their drones are winning wars around the globe and now they want to bring this technology to the home front.
Alex Murphy Kinnaman is a loving husband, father and good cop doing his best to stem the tide of crime and corruption in Detroit.
He returns to the streets of his beloved city with amazing new abilities, but with issues a regular man has never had to face before.
In January it was announced that original RoboCop writer Ed Neumeier was writing a direct sequel to the classic film that would ignore both sequels and the remake.
There's been a bunch of other RoboCop movies and there was recently a remake and I would say this would be kind of going back to the old RoboCop we all love and starting there and going forward.
So it's a continuation really of the first movie. In my mind. So it's a little bit more of the old school thing," Neumeier said. Going well!
Imagine watching Verhoeven do a follow up film. The series takes place years after the original film and ignores the events of the second and third films, Murphy's mother and father were introduced.
His father, Russell Murphy, was a devout police officer himself for many years until his retirement. He is responsible for instilling Murphy with his trademark sense of duty and dedication to law enforcement, even after his transformation into a cyborg.
Throughout the series, Murphy finds himself teamed up with his father on a few cases that often saw them utilizing the elder Murphy's expertise in dealing with reappearing criminals he'd chased back before his retirement.
Although his father was stern, it was clear Murphy's parents loved and cherished him even after his 'demise. Ellen known as Nancy in the series for apparent copyright reasons and Jimmy Murphy were recurring characters as well, often finding themselves crossing paths with Murphy by falling in inadvertently or intentionally with the criminal element to which Murphy interfered and protected them from harm.
Despite his series partner Madigan's concerns to tell his family who he is, Murphy replied firmly, "No," as he felt doing so would hurt them even more.
He commented that "they need a husband I cannot be that. But I can protect them. The series takes place ten years after RoboCop , RoboCop has become outdated, tired, and quasi-suicidal.
Delta City formerly Detroit is now considered the safest place on Earth, and he is no longer viewed as particularly necessary.
The first half of the series focuses on Alex Murphy's former partner, John T. Cable, who is slain by RoboCop due to his system being hacked and being programmed to terminate Cable.
Cable is then resurrected as a cyborg in most aspects identical to the RoboCop model, save for color and the addition of a second sidearm.
Meanwhile, OCP on the verge of bankruptcy is taken over by a scheming executive, Damian Lowe, who manages to murder the entire board of directors.
The second half of the series introduces Dr. He takes control of RoboCable by planting a chip in him that causes him pain or death, at Kaydick's discretion.
RoboCop receives aid from a group of tech thieves led by Ann R. Key Leslie Hope , who are determined to stop Kaydick, and RoboCop's own son, James — now fully grown and aware of his father's fate.
During the confrontation, RoboCop and James reconcile with each other, and manage to rekindle RoboCable's previous personality.
Key and Kaydick both die during a confrontation with each other. RoboCop gets rebooted without his previous OCP restriction programming as well as restoring his identity as "Alex Murphy" as opposed to an OCP product number or his prime directives.
After viewing a goodbye message left by Cable, Murphy returns to active duty to stop the resultant crime in Delta City due to the EMP pulse blacking out the city.
Based on the original film, the first RoboCop animated series features cyborg cop Alex Murphy Robocop , who fights to save the city of Old Detroit from assorted rogue elements, and on occasion, fighting to reclaim aspects of his humanity and maintain his usefulness in the eyes of the "Old Man", Chairman of OCP.
Many episodes see RoboCop's reputation put to the test or soured by interventions from Dr. He continually develops other mechanical menaces that threaten RoboCop.
In the police force, RoboCop is befriended as always by Officer Anne Lewis, but is also picked on and lambasted by the prejudiced Lieutenant Roger Hedgecock who appeared as a minor character in the original film and his first name revealed in Night of the Archer , ever determined to be rid of him and his kind, whom he sees as ticking time bombs.
Their rivalry comes to a fever pitch during the episode "The Man in the Iron Suit", in which Hedgecock comes close to finally beating Murphy with the aid of a new weapons system developed by McNamara.
The crew would fight to be assigned to my unit, since working for me was less stressful than working for Verhoeven. I worked with Robocop almost every day, I think I only worked with Nancy a couple of times.
I did anything that could conceivably be second unit during the time the company was in Dallas: my second unit was the only one for the bulk of the Dallas shoot, and I was there every day from about the third week until they finished in Dallas.
For budgetary reasons, and because they were no longer so behind schedule, they decided not to take me to the other location. I have a clearer picture of the scenes I did with Peter and Nancy, just because we had such a good time doing them.
You can safely assume that any shot of Robocop driving was by me, except where a shot culminates in a big dialog scene after he gets out of the car.
I shot tons of footage of Robo driving through the city at dusk, but only a fraction is in the movie. Like most directors, Paul hated the idea that there was a second unit at all, particularly one that was shooting with his actors and not just sunsets.
They did want to credit me as second unit director, but I wasn't able to accept that credit because Verhoeven was not a member of the DGA , and the company had not signed an agreement with the DGA.
I was put on trial and nearly suspended, so I couldn't risk another offence. I did try to keep my involvement with Robocop quiet, but it's so long ago, and the DGA is not quite as hard-ass as they once were.
They were hard times. After that he directed blood running through the streets of the model city, close shots of the model being shot up and the blood running through it, but none of this footage was used in the final version.
The Ford Taurus was used as the police cruiser in the movie, due to its then-futuristic design. Bob Morton's home was filmed in a home near Dallas featured in the show Beyond in The soundtrack score for the movie was composed by Basil Poledouris , who used both synthesized and orchestral music as a mirror to the man-versus-machine theme of the movie.
The score alternates brass-heavy material, including the RoboCop theme and ED's theme, with more introverted pieces for strings, such as during RoboCop's homecoming scene.
The final four tracks were included on later CD re-issues. On the theatrical trailer, the theme of The Terminator was used instead of the RoboCop theme.
Similarly, the track Van Chase was used for the trailer of " Dollman ". P was a short-lived side project consisting of members of the bands Ministry and Skinny Puppy.
However, this song was not available in any official form and could only be heard in the film. It was eventually released in on a compilation album called Side Trax by Ministry.
The task of creating the RoboCop suit was given to Rob Bottin. A budget of up to one million dollars was allotted to the completion of the suit, making it the most expensive item on the set.
A total of six suits were made: three intact and three showing damage. Bottin himself had produced early design sketches for the suit's prototype that the studio accepted enthusiastically, albeit with the request of some minor adjustments.
Rob, Paul Verhoeven, and Edward Neumeier came up with the concept of the suit being more of an outer shell, with very little of the actor's actual face being visible.
Bottin explained the basis of the design:. It's meant to look very speedy and aerodynamic. All the lines were geometric, and complement every shape on the body from all angles.
When Verhoeven came on the project, he requested numerous design changes, additions to the suit which looked more like machine than man-like.
RoboCop looks the way he does because that's the way a man's body works! Although we went through fifty different variations, developing his character, everything came back to man-like.
It's definitely a guy in the suit, which doesn't belittle it any. The suit itself was attached to the actor in sections.
To wear the helmet, Peter Weller wore a bald cap that allowed the helmet to be removed easily. After almost 10 months of preparation, the RoboCop suit was completed based on life casts from Peter Weller and Bottin's six-foot clay models.
The suit's color was supposed to be bright blue; however, it was given a more grayish tint to make it look more metallic and produce less glare on the camera when it was being filmed.
Peter Weller had in the meantime hired Moni Yakim, the head of the Movement Department at Juilliard , to help create an appropriate way for him to move his body while wearing the RoboCop suit.
The suit, however, proved to be too heavy and cumbersome. Instead, at the suggestion of Moni, it was decided that they would slow down RoboCop's movements in order to make them more appealing and plausible.
Filming stopped for three days, allowing Peter and Paul Verhoeven to discuss new movements for the suit.
The original gun for RoboCop was a Desert Eagle , but this was deemed too small. The gun holster itself was a standalone piece that was not integrated into the suit.
Off-screen technicians would operate the device on cue by pulling cables that would force the holster to open up and allow the gun to be placed inside.
The ED stop motion model was designed by Craig Hayes ,  who also built the full size models, and animated by Phil Tippett , a veteran stop-motion animator.
ED was voiced by producer Jon Davison. Davies and Tippett would go on to collaborate on many more projects. In one scene, Emil attempts to run down RoboCop, but instead accidentally drives into a vat of toxic waste , causing the flesh to melt off his face and hands.
These effects were also conceived and designed by Bottin, who was inspired by Rick Baker 's work on The Incredible Melting Man , and who dubbed the RoboCop effects "the Melting Man" as an homage to the production.
The dinosaur itself was animated by Don Waller, who also had a cameo in the same sequence, reacting to the rampaging creature in a tight close-up.
To appease the requirements of the ratings board, Verhoeven reduced the blood and gore in the most violent scenes in the movie, including ED's shooting of Kinney in the boardroom, Bobby being shot in the leg, the Boddicker gang's execution of Murphy with shotguns, and the final battle with Boddicker.
Verhoeven also added humorous commercials throughout the news broadcasts to lighten the mood and distract from the violent aspects of the movie most of the commercials satirize various aspects of the American consumer culture, such as the commercial for the SUX sedan.
After 11 original X ratings, the film was eventually given an R rating for graphic violence, strong language, and brief nudity.
RoboCop was released in American theaters on July 17, The film opened no. On Metacritic , the film has a score of 67 out based on reviews from 16 critics, indicating "generally favorable reviews".
The site's consensus is: "While over-the-top and gory, RoboCop is also a surprisingly smart sci-fi flick that uses ultraviolence to disguise its satire of American culture".
Roger Ebert praised the film, calling RoboCop "a thriller with a difference," praising the way it puts the audience off-guard, and calling it a thriller not easily categorized with splashes of other genres added.
Ebert praised Weller for his performance and his ability to elicit sympathy despite the layers of makeup and prosthetics. Verhoeven's sizzling battles than poor Murphy does from his robosuit.
Feminist Susan Faludi called RoboCop one of "an endless stream of war and action movies" in which "women are reduced to mute and incidental characters or banished altogether.
Barry Norman was critical of the film, viewing its excessive violence as "verging on sadism". He praised "some cracking jokes and special effects", concluding by calling it "almost admirable.
Criterion released the uncut "director's edit" on LaserDisc in The R-rated theatrical version was slated to be released on Blu-ray by Sony in However, Sony pulled the Blu-ray just days before it was to be released.
Only a handful of copies were released to the general public, mainly reviewers, making it very rare. A remastered Blu-ray edition was released in January to tie into the remake.
The Blu-ray 4K master edition also features this unrated cut. Regarding the omitted scenes, Verhoeven stated on the anniversary edition DVD that he had wanted the violence to be "over the top", in an almost comical fashion such as the scene involving the executive that is killed by ED, and Bob Morton immediately asking "Somebody wanna call a goddamn paramedic?!
Verhoeven felt that the tone of the violence was more upsetting due to the deletions requested by the MPAA. An alternate network TV Version was also released.
The stronger language was either deleted or dubbed over. Blood was kept to a minimum. And, instead of Boddicker running over Emil with his sedan, decapitating him in the process, he swerves around, and misses him.
The following scenes are presented in the uncut version of the movie which originally received an X Rating:. On November 26, , Arrow video put out a special Blu-ray edition with new extras, both cuts of the film, a television version cut, and interviews with Nancy Allen and Julie Selzer.
It uses the same 4K remaster MGM put out on their release back in In a interview, Edward Neumeier reflected on how the film's script is starting to play into reality: "We are now living in the world that I was proposing in RoboCop Two of the primary themes explored by RoboCop are the media and human nature.
On the Criterion Edition DVD commentary track, executive producer Jon Davison and writer Edward Neumeier both relate the film to the decay of American industry from the s through the early s, with the abandoned " Rust Belt style" factories that RoboCop and Clarence Boddicker's gang use as hideouts reflecting this concern.
Massive unemployment is prevalent, being reported frequently on the news, as are poverty and the crime that results from economic hardship.
This is represented in Murphy's horrific death alluding to the crucifixion of Jesus , his return alluding to the resurrection of Jesus , and the showdown with Clarence Boddicker at the steel mill, which finds RoboCop trudging through ankle-deep water, which alludes to Jesus walking on water.
Darian Leader considers RoboCop one example of how the cinema has dealt with the concept of masculinity, showing that to be a man requires more than having the body of a man: something symbolic that is not ultimately human must be added.
Leader wrote of RoboCop :. The RoboCop is a family man who is destroyed by thugs, then rebuilt as a robot by science.
His son always insists, before the transformation, that his human father perform the gun spinning trick he sees on TV. When the robot can finally do this properly, he is no longer just a male biological body: he is a body plus machinery, a body which includes within it the symbolic circuitry of science.
Old heroes had bits of metal outside them knights , but modern heroes have bits of metal inside them. To be a man today thus involves this kind of real incorporation of symbolic properties.
The depiction of Murphy's struggles in reasserting his humanity also deals with themes of identity. This is even touched upon in the cyborg's construction.
Rob Bottin and Paul Verhoeven, and Ed Neumeier had all come up with a concept that there would be such a potential for psychological disruption. Even if you had supposedly wiped someone's memories and emotions they'd still might have some kind of residual humanity where, if they'd looked at themselves as a complete robot with no relation to their past organic form, they'd completely freak out and have a psychotic breakdown.
So the idea was that surgeons had literally skinned off Alex Murphy's face and then placed it on the cyborg. So it's not like they transplanted his head, they just took his face off and laid it on the cyborg, and that was to give him his own little sense of identity.
In , Entertainment Weekly named the film the 14th greatest action film of all time,  and Complex rated it as the 19th best action film of all time in User Reviews.
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Rate This. In Detroit, when Alex Murphy, a loving husband, father and good cop, is critically injured in the line of duty, the multinational conglomerate OmniCorp sees their chance for a part-man, part-robot police officer.
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Edit Cast Cast overview, first billed only: Joel Kinnaman Dennett Norton Michael Keaton Raymond Sellars Abbie Cornish Clara Murphy Jackie Earle Haley Rick Mattox Michael Kenneth Williams Jack Lewis as Michael K.
Williams Jennifer Ehle Liz Kline Jay Baruchel Tom Pope Marianne Jean-Baptiste Chief Karen Dean Samuel L.
Pat Novak Aimee Garcia Jae Kim Douglas Urbanski Mayor Durant John Paul Ruttan David Murphy Patrick Garrow Antoine Vallon K.
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